Wednesday, June 4, 2014

Jonah Hill apologises for gay slur




US actor Jonah Hill has apologised for using a homophobic slur with a paparazzo in an encounter caught on video.
TMZ obtained a video of Hill being followed be a group of paparazzi in the Larchmont neighbourhood of Los Angeles over the weekend. In the minute-long clip, the actor can be seen walking down the street with a friend wearing a T-shirt, floral board shorts and sneakers. At one point, one of the photographer's points out his attire, saying: "I like the shorts though, bro. They are pretty sexy."
The photographers continue to follow Hill and, before parting ways, one paparazzo tells him, "Have a good day. Enjoy." Hill then apparently replies: "Suck my d--k, you f----t."




Hill said the word "does not at all reflect how I feel about any group of people." He said that he's been a gay-rights activist "from the day I was born."
Earlier this year, Hill promoted a Human Rights Campaign effort opposing anti-gay laws in Russia ahead of the Winter Olympics.
Hill said he had been harassed by the photographer, claiming he said "hurtful things" about Hill and his family.


Tuesday, June 3, 2014

The complete, terrifying history of ‘Slender Man,’ the Internet meme that compelled two 12-year-olds to stab their friend




He lurks in the background of gritty black-and-white photos — a gaunt, too-tall figure with skeletal limbs. Some say he lives in the woods and eats children, a kind of demon descended from eastern European myth. Some say he stalks human prey indiscriminately, wherever he can find it: in basements, outside half-open windows, along lonely streets late at night when only occasional headlights cut across the road.
Some say he has no face. Others, that his face looks different to everyone who sees it. But whatever they say, everyone generally agrees on one point: that Slender Man, perhaps the Internet’s best and scariest legend, is indeed a legend — an invented character who can be traced back, quite linearly, to an obscure forum where in 2009 users Photoshopped old pictures and improvised a back story for their creations.
Tragically — and chillingly — two 12-year-old girls in Waukesha, Wis., seem to have missed all of that. On Saturday, according to local news reports, the girls lured a friend into the woods and stabbed her 19 times in some kind of tribute to Slender Man. The girl they stabbed is hospitalized in stable condition. The perpetrators will be tried as adults.
“Many people do not believe Slender Man is real,” one of the girls said, according to the criminal complaint. “[We] wanted to prove the skeptics wrong.”
But as dozens of forum posts, newspaper articles and a handful of academic papers show, there’s nothing to prove. Slender Man is a fascinating case study in the creation and codification of Internet myth. And at the end of the day, that’s all it is: a myth.
The invention of a “mythological” monster
In the myth, Slender Man has many origins: Germany’s Black Forest. Ancient Egypt. Cave paintings in Brazil purportedly depict his movements.
In real life, the story begins in the forums of Something Awful, a humor site for people who enjoy joking about things like Dungeons & Dragons, porn and 3-D printers. But the forums can take trickier turns — they’re well-known for tricky Photoshopping and general prankery. On June 8, 2009, a new forum thread invited users to “create paranormal images through Photoshop,” which many users did. But the creation of one user, Victor Surge, struck a particular chord: He posted two photos of children haunted by a tall, shadowy figure with tentacles for arms, along with blocks of ominous text:
we didn’t want to go, we didn’t want to kill them, but its persistent silence
and outstretched arms horrified and comforted us at the same time . . .
1983, photographer unknown, presumed dead.
For weeks, Surge continued posting doctored photos, newspaper clippings and child’s drawings of Slender Man, gradually pulling other users into the myth. They contributed their own Photoshops and stories, drawing parallels to older legends and nudging the story along. By mid-June, the thread was solely devoted to developing the mythos of Slender Man, which now — at least according to one authoritative PDF — runs 194 pages long.
Because Slender Man was developed collaboratively, by a community of anonymous contributors, that mythos is spotty and varied — much like a more organic urban legend would be. In some stories Slender Man has multiple arms, like tentacles, and in some he has no extra appendages, at all. Sometimes he seems to kill his victims themselves, in vague, mysterious ways that the faux news stories and police reports never seem to specify, before disemboweling them and bagging their organs. Other times, Slender Man somehow compels his victims to kill each other — a particularly grim plot line, given the recent attack in Wisconsin.
In one of the faux news stories, a horse farmer named Ted Henderson shoots his wife in the chest at the Slender Man’s behest, only explaining the crime to his psychiatrist at a mental institution three years later.
TED: Ran… ran inside… got gun… Tracy crying… Judi screaming… r…ran to them… He had them… was holding them…
DAUTON: Who had them?
TED: Skinny fella… suite… Looking at me… Judi screaming… shoot me… SHOOOT ME SHOOT MEEEE!
“Tracy,” the couple’s six-year-old daughter, is never found.
How a horror story becomes a legend
That vagueness — the infinite mutability, the fuzzy details, the ability to adapt Slender Man to just about any time and place — is a large part of what pushed the story off the Something Awful forums and into the Internet mainstream. Slender Man gradually spread onto other niche forums, like 4chan’s paranormal board. From there, it would inspire a popular horror Web series called Marble Hornets, several indie video games and an untold trove of submemes and fan art, as well as earn prominent pages on Wikipedia and Creepypasta, a site dedicated to Internet horror stories. Creepypasta is, according to the Milwaukee Journal-Sentinel, the place where the Wisconsin girls first read the story of Slender Man.
By 2011, the legend had become so deeply embedded in the Web — and so divorced from its blatantly fictional origins — that even its original creator, Victor Surge, couldn’t believe how much it had spread.
“I didn’t expect it to move beyond the SA forums,” he said in an interview with the Web site Know Your Meme, later adding:
An urban legend requires an audience ignorant of the origin of the legend. It needs unverifiable third and forth [sic] hand (or more) accounts to perpetuate the myth. On the Internet, anyone is privy to its origins as evidenced by the very public Somethingawful thread. But what is funny is that despite this, it still spread. Internet memes are finicky things and by making something at the right place and time it can swell into an ‘Internet Urban Legend’.
That same year, the Minneapolis Star-Tribune reported an entire feature on “the Internet-concocted creature… scaring today’s teens silly.” Only two years had passed since Surge invented Slender Man, and its origins, the Tribune ruled, were already “difficult to pinpoint.”
The Internet is ‘full of wicked things’
That obscurity is, of course, responsible in part for Slender Man’s scariness: It appears to eliminate the fourth wall entirely, making Slender Man less a ghost story and more a plausible entity. The further the myth gets from its origins, the easier it is to sift out truth from fiction. “The Blair Witch Project” used some of the same techniques.
And yet the character’s appeal goes far deeper than that, says Shira Chess, an assistant professor of mass media arts at the University of Georgia and a scholar of the Slender Man myth. In fact, Chess is unsurprised that people, including teenagers, frequently buy into the Slender Man myth — in short, we’re hardwired to believe.
“We tell ourselves stories because we (humans) are storytelling animals,” she wrote in an e-mail. “And, to that end, horror stories take on a specific significance and importance because they function metaphorically — the horror stories that are the best are often metaphors for other issues that affect our lives on both cultural and personal levels.”
Slender Man, Chess says, is a metaphor for “helplessness, power differentials, and anonymous forces.” He’s an infinitely morphable stand-in for things we can neither understand nor control, universal fears that can drive people to great lengths — even, it would appear, very scary, cold-blooded lengths.
For whatever reason, Slender Man does seem to have resonated particularly among teenagers; perhaps that’s the demographic most susceptible to scary stories, or perhaps they’re the people frequenting sites like Creepypasta most often. (Creepypasta, for its part, released a statement early this morning expressing its condolences over the Wisconsin incident — and reminding critics that the site exists to share scary fiction stories, not to encourage any actual, real-life scares.) But the girls in Wisconsin, at least according to statements they made to police, truly believed Slender Man was real: He teleported and read their minds, they claimed. He watched them and threatened to kill their families.
“They hoped [their friend] would die,” Ellen Gabler wrote in the Journal-Sentinel, “and they would see Slender and know he existed.”
But Slender doesn’t exist — at least not outside of the YouTube videos, wiki pages and horror forums that have grown up around him.
Said Russell Jack, the police chief in Waukesha, “the Internet can be full of dark and wicked things.”

Rihanna goes practically naked to CFDA Awards in her most risqué look yet



What do you wear to pick up one of the fashion industry’s most coveted style prizes? Well, if you’re in Rihanna and your fashion USP is audaciousness teamed with unapologetic brazenness, you wear nothing.

Well, nothing bar a shimmering sheer floor-length dress that reveals everything, nipples et al, in a move that would make Instagram censors dive for cover.
Her modesty was just about hidden by a nude coloured thong, which she covered with a fur stole.
Part Josephine Baker, part sphinx, she teamed her Adam Selman-designed dress with a sparkling turban. While conservative fashion critics may bemoan her wardrobe choice and tell her to cover up, this might be the most ‘Rihanna’ ensemble she’s ever worn – it’s admirably confident, fearlessly individual and unashamedly provocative.


Not even Solange Knowles – who also attended the Council of Fashion Designers of America Awards last night –  would have picked a fight with her, so intimidating was Rihanna’s near-naked presence.
In a sea of innocuously-dressed models and actresses, Rihanna was a refreshingly, defiant antidote.


The “We Found Love” singer collected the Fashion Icon Award from Anna Wintour last night, an honour previously given to Kate Moss, Lady Gaga, Johnny Depp and Nicole Kidman. Other names to be celebrated include the Olsen twins, who received Best Accessories Designer of the Year for their label The Row.

Instagram can rest easy over fears it may receive a post or two by Rihanna from the evening: she has deleted herself from the social media channel after it censored one of more risqué images recently.
Last week, Rihanna tweeted her support for Scout Willis – the 22-year-old daughter of Demi Moore and Bruce Willis – who staged a topless protest in New York in reaction having been banned from Instagram for posting a photograph of a sweatshirt she designed featuring two topless women.
In May, US Vogue creative director and former model Grace Coddington was also recently temporarily removed from the channelfor sharing a topless line drawing.
However, the company’s CEO, Kevin Systrom, maintains that its strict no-nudity policy is “fair”.
“Our goal is really to make sure that Instagram, whether you're a celebrity or not, is a safe place and that the content that gets posted is something that's appropriate for teens and also for adults,“ he told the BBC.
"We need to make certain rules to make sure that everyone can use it."

Sunday, June 1, 2014

Spurs beat Thunder in OT, advance to NBA Finals




OKLAHOMA CITY — Of all the Gregg Popovich pearls of wisdom throughout the years, the one most salient to his San Antonio Spurs system is unofficially known as "good to great."
It's not a complicated concept: great shots are better than good ones, so players must train themselves to make the extra pass without any regard for their own individual pursuits. The Spurs went from good to great yet again on Saturday night at the Chesapeake Energy Arena, winning Game 6 of the Western Conference Finals 112-107 in overtime against the Oklahoma City Thunder despite not having point guard Tony Parker for the second half.

Revenge against the Miami Heat may be theirs after all, as they will have the 2013 rematch they dreamed about in the Finals and with it the chance to end those infamous nightmares. The NBA Finals rematch is the first since 1998, when Michael Jordan's Chicago Bulls repeated over Karl Malone's Utah Jazz.
"We got four more to win. We'll do it this time," Spurs legend Tim Duncan declared on TNT after the finish.
Duncan, Manu Ginobili and Boris Diaw split the scoring duties in overtime, and the Spurs forced the Thunder into one of 11 shooting.
Diaw — so often mocked in the past for his pear-shaped physique — was huge in all the right ways in the closeout game. He had 26 points on eight of 14 shooting, and his presence continued to allow the Spurs to space the floor by bringing Thunder big man Serge Ibaka out on the perimeter.
"We ran some things for Manu, some things for Boris and some things for Timmy," Popovich said. "A lot of guys came through. ... Boris was fantastic all night long; he was really good on both ends of the court."
Duncan finished with 19 points and 15 rebounds, while San Antonio won despite shooting just 40.4% from the floor. The Thunder's dynamic duo of Kevin Durant and Russell Westbrook certainly turned in big games — 31 points, 14 rebounds for Durant and 34 points to go with eight assists and seven rebounds for Westbrook — but they had as many turnovers between them (14) as the Spurs had as a team.
When the Spurs announced that Parker would not return with an ankle injury, the news had the most curious of effects. Starting with the fans, then most certainly with the Thunder, the energy in the building seemed to wane.
With Parker's replacement, Cory Joseph, leading the way and everyone from Duncan to Ginobili to Danny Green to Tiago Splitter pitching in, San Antonio did the unthinkable: a 37-20 third quarter for the ages that was vintage Spurs in every which way.
Kawhi Leonard hit a jumper to start it all. Matt Bonner buried a three-pointer soon thereafter. The rest of them would pitch in from there, with the Thunder clearly breathing a sigh of relief that would lead to their undoing. And really, they should have seen this coming.
"That third quarter hurt us," Thunder coach Scott Brooks said. "That's the thing about this basketball team we're playing against. If you relax for two minutes, they can go on a 12-3 run."

Belmont Stakes 2014: California Chrome sharp in Saturday morning workout


With hundreds of race fans rolling out of bed on a Saturday morning to cheer him on, California Chrome gave them every reason to believe he will become the first thoroughbred to win the Triple Crown in 36 years when he breezed a half-mile in 47.69 seconds at Belmont Park.
With jockey Victor Espinoza up, the workout began shortly before 7 a.m., and California Chrome's handlers said it went just as expected.
"It was a great work, exactly what we wanted," assistant trainer Alan Sherman said. Earlier in the week, Sherman had said the chestnut colt was "climbing out of his skin" and needed the workout, his only schedule timed run before next Saturday's Belmont Stakes.
Daily Racing Form clocker Mike Vesce told Newsday: "Off that work, he's going to be tough to beat. I think we're going to have a Triple Crown winner, and I didn't think that before.''
"Chromie" entered the track at 6:38 to an introduction and an ovation from fans who had gathered for Breakfast at Belmont. The work began on the far turn, and California Chrome accelerated down the stretch, his stride captured by the iPhone cameras of fans and the video cameras of major news outlets.
"It was great to have the fans come out to see him,'' Sherman said. "Victor said he went great and that he was very happy with him.''
Media and fans returned with the horse to Barn 26, where California Chrome was bathed. Newsday reported that, when exercise rider Willie Delgado walked him around the inside of the barn, the charismatic colt even stopped to pose, obliging the equine paparazzi with full-face and profile shots.
"The people's horse,'' as he is called, clearly loves the people's attention.
Sherman said the colt will walk Sunday morning before resuming gallops of 1½ to two miles Monday with Delgado.
"He looked great,'' said Espinoza, who flew from California just for the ride. "He knows when I get on him that he's going to work. He handled the track very well, and I think he likes the surface at Belmont.''
When asked about the Triple Crown bid, Sherman said, "It's been a fun ride, possibly something none of us ever will do again. I think Chrome has the will. He just loves his job. I'm confident in the horse, but we still have to run the race.''

Saturday, May 31, 2014

Miami Heat rout Indiana Pacers, return to Finals


For the entire regular season, the supremacy of the Miami Heat in the Eastern Conference was brought into serious question by the Indiana Pacers.
Then came the playoffs. And the question was answered — emphatically.
The Heat became the third franchise in NBA history to reach the title series in four consecutive seasons, a laugher of a conference-title finale getting them there again Friday night. LeBron James and Chris Bosh each scored 25 points, and Miami eliminated the Pacers for the third straight year with a 117-92 romp in Game 6 of the East championship series.
"I'm blessed. Very blessed. Very humbled," James said. "And we won't take this opportunity for granted. It's an unbelievable franchise, it's an unbelievable group. And we know we still have work to do, but we won't take this for granted. We're going to four straight Finals, and we will never take this for granted."
Dwyane Wade and Rashard Lewis each scored 13 points for Miami, which trailed 9-2 before ripping off 54 of the next 75 points to erase any doubt by halftime. The Heat set a franchise record with their 11th straight home postseason win, going back to the final two games of last season's NBA Finals, leading by 37 at one point.
Indiana led the East for much of the regular season, one where the Pacers were fueled by the memory of losing Game 7 of the East finals in Miami a year ago. So they spent this season with a clear goal: toppling Miami as kings of the East.
The Pacers were two games better in the regular season. They were two games worse in the postseason. Game 7, this time, would have been in Indianapolis. The Pacers just had no shot of making it happen, not on this night.
"The group loves to compete and loves to compete at the highest level, and be pushed to new levels," Heat coach Erik Spoelstra said.
So now, the Celtics and Lakers have company. Until Friday, they were the only teams in NBA history to reach the Finals in four straight years. The Heat have joined them, and their quest for a third straight title starts in either San Antonio or Oklahoma City on Thursday night.
"It's all about 15 special men and what they've been able to accomplish these last four years," said Heat managing general partner Micky Arison, who handed the East title trophy to Greg Oden. "Just a little bit more work to do, but I'm really proud of the incredible job that these guys have done."
The way they played in Game 6 made a prophet out of Bosh, who predicted Miami would play its best game of the season. Miami's largest lead at any point this season, before Game 6, was 36 points. Indiana's largest deficit of the season had been 35 points. After a layup by James with 3:39 left in the third, the margin was a whopping 37 — 86-49. James' night ended soon afterward.
"It was just one of those games that we want to play from beginning to end," Bosh said. "Here on our home court, we wanted to make a statement."
There were the now-requisite Lance Stephenson events, adding intrigue to the first half. The Pacers' guard walked over to James and tapped him in the face in the opening minutes, stood over him after both got tangled under the basket, and got whistled for a flagrant foul for striking Norris Cole in the head in the second quarter.
It was the end of a memorable series for Stephenson, none of which really had anything to do with basketball. His newsworthy moments from these East finals started when he talked about the health of Wade's knees before the series and reached an apex in Game 5 when he blew into James' ear and walked into a Heat huddle.
The Heat were bothered by it all, but got the last laugh. And when it was over, Stephenson went out and shook hands with plenty of Heat players, as did the rest of his teammates.
Knicks: Phil Jackson lost out on his preferred coach, but he's working hard to keep his star player. The Knicks president said Friday he talked to Carmelo Anthony about postponing free agency, and the All-Star forward responded that he'll think about it.
"I told him it might be a good idea to hang in here and see what it's like for a year, and go out the next year," Jackson said.
Anthony can opt out of the final year of his contract, which would pay him $23.3 million, and has said that was his plan. But Jackson said there are financial benefits to Anthony waiting, for both sides, and told him that during a dinner about a month ago.
"He opened the door, and I stuck my foot in it and said this is what we can do," Jackson told the team's beat writers.
Jackson also told Anthony that Steve Kerr would be coming in to coach, a plan that didn't work out. Kerr was his first and only known candidate to replace Mike Woodson, and Jackson said Kerr had essentially committed to leave the TNT broadcast booth to take the job. But then the Golden State job opened up when the Warriors fired Mark Jackson, and Kerr preferred that one to remain close to his family in California.
"Unfortunately for him, he committed to me the day before the job opened with Golden State. So I had to kind of release him to actually go to this job and say, 'You have to do what's right for yourself,' " Phil Jackson said. "I understood entirely the process he was going through to have that job open up. That was something he kind of thought would be a good fit for him. So that's good, we're happy for him."
Jackson said he's been doing interviews, but wouldn't name those candidates. He wants to talk to Derek Fisher, who played for him in Los Angeles, after Oklahoma City's season is finished, but ruled out Brian Shaw, his former player and assistant who just completed his first season as Denver's coach. The Nuggets have said they are happy with Shaw — and Jackson doesn't want to give them any compensation even if they would let him leave.
"Brian is under contract with Denver," Jackson said. "Denver has everything that we owned for the last few years, so there's nothing else I want to give them."
He was referring to the price the Knicks paid to acquire Anthony from the Nuggets in 2011. It is still costing them now, as Denver owns the Knicks' first-round pick next month in Jackson's first draft in charge. The deal would hurt even more if Anthony left this summer. But perhaps Jackson, who is a little more than two months into his job, won't have to worry about it after giving Anthony something to think about.

Tuesday, April 22, 2014

A Year Later, It’s Old Glory in Boston Marathon

There is no doubt the bombings of last year cast a long shadow on the 118th running of the Boston Marathon.
It was an inevitable backdrop: The signs on the buildings that line the course near the finish are usually covered in witty, encouraging posters. This year, they encouraged a greater kind of perseverance.
"Boston Strong," they exhorted.

It was an emotional scene for the crowd and the runner, who broke the tape near a small makeshift memorial to those who died after last year's attack on the race's finish line.
And the crowd gathered at the finish line on Boylston Street had reason to cheer and celebrate Monday, as American Meb Keflezighi ended a 31-year drought for U.S. men in the Boston Marathon.Holding his trophy as the U.S. national anthem played, tears streamed down Keflezighi's face.
Race day has brought a feeling of celebration to a city that sorely needed it. This is New England's biggest sporting event, after all, and the world's oldest and most prestigious 26.2-mile road race.
The day was marked by music and laughter, and Mother Nature — with its daffodils and tulips and glorious yellow willows — also joined in.
As historian Tom Derderian told us, after the bombings, the Boston Marathon became about runners and spectators "putting themselves at risk in defiance" of terrorism.
Throughout the day, we brought you vignettes from key points on the course: Hopkinton,WellesleyHeartbreak Hill and the finish line. Read on for a more detailed look at the race.

Mile 0: Hopkinton

The morning started with a moment of silence.
Most of the 36,000 athletes who will run the Boston Marathon this year gathered at the field of a high school in Hopkinton, Mass. They put out blankets and sat in the sun to warm themselves. In their countenances, you could see a mix of nerves and excitement that translated into the hum of a village.
But when the race emcee began to recite the names of the four people who died because of the attacks on Boston last year over the speakers, everything settled.
"Martin W. Richard, Krystle M. Campbell, Lingzi Lu, Officer Sean A. Collier," the emcee said.
By the time he finished, the shuffling had stopped and all you could hear was the low buzz of helicopters flying high above.
Much like last year, the day started off perfect for a marathon — chilly, with high, thin clouds shielding some of the sun.
But unlike last year, security was more intense. Uniformed officers and National Guard troops were stationed on every street. Runners were screened before they boarded buses. Every bag was checked, and state police officers boarded buses to take a second look.
Like last year, however, the small community poured out onto the streets.
Bob and Liz Burke moved to Hopkinton just after they got married more than 20 years ago. Their kids are now in high school, and they've come to see the beginning of the world's oldest marathon pretty much every year.
Today, the Burkes were on a hill overlooking the starting line. They could see the elite runners — sinewy and wearing single digits on their race bibs — trotting up and down the race course to warm up.
This year, said Bob, it's a little different.
"There's a little bit of everything going on," he said. There's sadness and joy and celebration.
"I think people very much want to reclaim that sense of normalcy, yet at the same time [the bombing] is the elephant in the room," he said.
As we talked, the sound of the starting pistol pierced the morning air. The fastest women in the world were off for their 26.2-mile sprint. The men would follow. And after every blast from the pistol, the crowd roared.
— Eyder Peralta

Mile 13: Wellesley

The "Scream Tunnel" arrives for runners fast and runners slow at the 20-kilometer mark on a normally quiet, tree-lined stretch of Central Street that flows past Wellesley College. Most of the school's 2,300 students cheer on the runners with an abandon that can only be ascribed to youth.
Oh, and they do more than hoop and holler; they also offer encouragement with their lips.
The "Scream Tunnel" might just as well have been named the "Kissing Tunnel," because the Wellesley tradition is to offer smooches along with raucous cheers as runners stream by. The elite competitors just smile at the girls and fly by. But farther back in the pack, there are plenty of takers willing to slow down for a little sugar on the run.
"Some people barely ease up and just lay a drive-by kiss on your cheek," says student Sabrina D'Souza. "Some are careful, plant it right on the lips and take a photo to remember the moment."
D'Souza planted herself at the 20-kilometer mark to "catch the runners early" for initiation into a "fun and joyful Wellesley tradition."
This year means more than most, however, as evidenced by the signs along the course. Last year, students at the college produced about 250 colorful posters of encouragement. This year the number is more like 800.
Holding reams of freshly prepared posters for the race, Sravanti Tekumalla and Erin Altenhof agree that Marathon Monday is the only day of the year when Wellesley feels "like a real college." It's today, they say, that the normally studious community cuts loose in a way that just doesn't happen any other time of the year.
While the screams rolled down Central Street in continuous waves, past the college and into the town of Wellesley, where generations of fans gathered along barricades and did their best to match the girls voice for voice, one couldn't help but notice security personnel everywhere. The Wellesley police were out, as you would expect. But military police and what appeared to be undercover or plainclothes police were evident all along the route. Military helicopters flew overhead.
The increased security, however, did nothing to dampen Wellesley's spirits. Dacie Boyce says this is always the best day of the school year — an inspirational event. Everyone says this year's race is even more so.
The memory of last year "amps up the feelings we already had, like, 10 times" says Boyce — as the deafening noise of Wellesley's Scream Tunnel greets another lucky runner who is now almost halfway home to the finish in Boston.
— Wright Bryan

The Elites

In the men's field of the 118th Boston Marathon, American Meb Keflezighi ended a 31-year drought for U.S. runners after staying ahead of Wilson Chebet of Kenya in a race that came down to the final mile. Keflezighi finished with a time of 2:08:37.
According to race officials, Keflezighi ran a 4:56 split at mile 23, when he had built a 20-second lead. His lead dwindled near the end, but Keflezighi stayed well ahead of his nearest competitor, as Chebet finished with a time of 2:08:48.
The crowd roared as Keflezighi crossed the finish line, celebrating a much-needed victory in the historic race.
"If somebody beat me," Keflezighi recalls thinking, "I'm going to inspire others to do it."
No American had finished first in the men's division since Gregory Meyer won in 1983. The last American woman to win was Lisa Larsen Weidenbach in 1985.
The women's field was won by Rita Jeptoo of Kenya, who set a course record with a time of 2:18:57 as she successfully defended her title as the Boston champion.
American Shalane Flanagan, a Massachusetts native, finished sixth in the race, posting a personal best with her time of 2:22:01. Michigan's Desiree Linden rounded out the women's top 10 with a time of 2:23:54.
For the second year in a row, Tatyana McFadden of Illinois won the women's wheelchair race. She posted a time of 1:35:06.
In the men's field, three-time top-five finisher Ryan Hall, a California native who trains in Arizona (and, more recently, in Ethiopia), fell off the leaders' pace and finished with a time of 2:17:50.
— Bill Chappell

Mile 20: Heartbreak Hill

Watching people watch the marathon is an event itself. Nowhere is this more evident than in Newton, home to Heartbreak Hill. The nickname for this stretch of road comes from 1936, when defending champion Johnny A. Kelley lost his race here.
At mile 20 stands Dave Evangelista, cheering, clapping and calling out friendly encouragement each time someone runs by with their name pinned to their shirt. A former marathoner himself, Evangelista says he picked this spot because "it's the place folks need the most support."
Looking out on the course, all can seem serene. There's actually a gentle downhill here. But that belies the fact that runners who make it this far have already had their fill of a series of hills leading up to this one. Heartbreak Hill is within spitting distance of the 20-mile mark, when many athletes start to lose energy. And it has to be conquered if a runner wants to make it to Boylston Street and the finish in downtown Boston.
The people passing all have their own unique style. Some walk; others glide by. Some jerk with every step forward but show no sign of tiring. Others look like they'll give up any moment now. And then there are the runners who look like they're out for a quick spin around the neighborhood, not like they're kicking through mile 20 of a marathon.
Evangelista, who says he's run in three Bostons and watched about 10, drops this wisdom as the diverse crowd slides by: "You just have to accept that someone who doesn't look anything like the runner you are is going to blow by you."
With the sun feeling warmer than the indicated 57 degrees, the whole neighborhood has turned out to watch the runners go up the hill. The athletes' pace slows, with many who were jogging now walking. But the energy on the sidelines is revving up.
Families have put up tents, laid out blankets and taken up the challenge of motivating the runners to make the summit. Cheers are loud and whole groups chant the names of individual runners going by. Cow bells ring out urgently here and there. Many groups on the sideline are wearing Boston Strong T-shirts.
Military and police shadow the whole scene, quietly standing by — and watching — at regular intervals on the course.
Near the top of the hill, the manic rhythms of the Red Hot Chili Peppers urge the runners forward. TV cameras are waiting near the top of Heartbreak Hill. So is the medical tent.
"It's all positive energy," says Evangelista, nodding to a community that has come together to forget its troubles and celebrate its heroes.
— Wright Bryan

Mile 26.2: The Finish

About an hour after Meb Keflezighi crossed the finish line to become the first American to win in 31 years, the every-day runners started to pour into the Public Gardens just past the finish.
As Gwen Myer walked into the park, she was overcome. She walked past a troubadour singing ballads in Spanish and tears filled her eyes.
She said the beauty of it all got to her. She was running for her second mom, who is battling her second bout of breast cancer. That mixed with the emotion of the events of last year, physicality of running a marathon and the sheer beauty of Mother Nature — the blooming daffodils, the brilliant yellow willows — made her cry.
Across the park, near the pond was Jonny James. He was basking in the sun, sprawled out on the grass with a big, broad smile on his face.
This race is mythical, he said, a culmination of months of training and of eight years of trying to qualify for the race.
It was a gorgeous spring day, and you got the feeling that the moment and the park represented a kind of closure after last year's bombings.
— Eyder Peralta